/Galleries
ONE-TWO PUNCH, the work of Keris Salmon and Travis Somerville
Oct 24 - Dec 12, 2020
Tuesday - Saturday, 11:00 - 5:00 by appointment
415-725-0308
About
Travis Somerville takes on social injustice and the endemic political and educational structures in this country that have perpetuated oppression and racism for hundreds of years . Having grown up in the South, Somerville is keenly aware of the contradictions and hypocrisies inherent in that millieu, and of the racism so apparent and yet subsumed by Southern niceties and gentility.
Keris Salmon’s cyanotypes serve in a way as silent witness, in direct and quiet contrast to the Somerville works. The conversation that is demanded/forced by dint of these works being in the same room is a marvelous opportunity to examine, as Salmon so eloquently put it in the title, The Architecture of Slavery, with the resulting effects on our current society as examined by the Somerville work.
SF/Arts Curator Insight
Travis Somerville's recent paintings painfully express the shock and horror of the current moment, populated by incendiary illustrations of pointy hooded figures toying with globular viruses and holding up backward bibles. Though it might be easy to lapse into the PTSD of 2020, there is a beauty in facing the belligerent truth of a nation willfully stuck in a past it refuses to face. Keris Salmon's The Architecture of Slavery, uses the blue dreaminess of the cyanotype to generate a more meditative tone, though the subjects on view are plantations, reminding us that this original sin rests at the foundation of everything Somerville is attempting to exorcise.
Mark Taylor
SF/Arts Curator
Jack Fischer Gallery